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How to write an input list
Updated October 7, 2026 · 3 min read
An input list (or channel list) tells the sound engineer every source they need to patch: each mic, DI and line, in channel order, with mic type and stand. It is usually sent with the stage plot during the advance and taped to the console on show day.
Free templates for this guide
Download and edit these for your own tour. No sign-up, no email required.
Input list template
A 16-channel input list with mic or DI, stand, 48V and monitor mix columns, ready to edit for your band.
Stage plot template (printable PDF)
A blank stage outline with a grid, audience edge and symbol key, plus a filled-in example for a four-piece band.
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Columns to include
- CH: the channel number.
- Instrument / source: e.g. Kick In, Snare Top, Bass DI, Vox Lead.
- Mic or DI: the mic model you prefer or "DI".
- Stand: short boom, tall boom, clip, none.
- Monitor mix / notes: which mix it goes to, phantom power, anything special.
Step 1: Order channels the standard way
Most engineers expect drums first (kick, snare, toms, overheads), then bass, guitars, keys, other instruments, then vocals, then playback or click. Following convention speeds up line check.
Step 2: Be realistic about mics
List the mics you prefer, but accept house equivalents. Mark anything you’re bringing yourself. Don’t list more channels than you need; small venues may have limited inputs.
Step 3: Match the stage plot
Channel numbers on the input list should match the stage plot. If a source moves, update both.
Step 4: Add monitor mixes
List each monitor mix and who it’s for: "Mix 1 Vox SR wedge", "Mix 3 Drums IEM". Note which channels each player needs in their mix in the notes or on a separate monitor sheet.
Step 5: Send and print
Send the input list during the advance, then print a large-type copy for the console and the stage.
Example (EXAMPLE)
| CH | Instrument | Mic | Stand | Mix |
|---|---|---|---|---|
| 1 | Kick In | Beta 91A | none | 3 |
| 2 | Kick Out | Beta 52 | short boom | 3 |
| 3 | Snare Top | SM57 | clip | 3 |
| 4 | Bass DI | DI | none | 2 |
| 5 | Gtr SL | SM57 | short boom | 1 |
| 6 | Vox Lead | SM58 | tall boom | 1 |
Common channel counts
Small bands might need 12 to 16 inputs; larger setups with keys, multiple vocals and playback need more. Count honestly and remove anything you don’t use. Many small venues have limited stage boxes and consoles, so a lean list makes the house engineer’s job easier and your line check faster.
Monitor sheet
For bands with several monitor mixes, add a simple table: each mix down the side, each player’s needs across. For example, "Mix 1 (Vox): lots of vox, some keys, little drums". This saves a lot of time at soundcheck.
Input list mistakes
- Channel numbers that don’t match the stage plot.
- Listing rare mics with no acceptable alternatives.
- Forgetting phantom power notes for condensers or active DIs.
- Not updating after a lineup change.
- Tiny print that nobody can read at the console.
How TRMNGR helps
The Input List on TRMNGR’s Stage tab has CH, INSTRUMENT, MIC, STAND and MIX columns; tap any cell to edit it. Add Channel adds a row, you drag to reorder, and each channel can carry Notes and a Floorplan symbol. Export PDF creates a printable input list, saved in Files › Input Lists.